
Friday, February 26, 2010
Barry the Photographer

Thursday, February 25, 2010
Teenage Photographers
Wednesday, February 24, 2010
San Jacinto Hospital Baytown

Tuesday, February 23, 2010
Goose Creek Stream Baytown
Monday, February 22, 2010
BNC Mockingbird
Friday, February 19, 2010
Painterly Hawk
Thursday, February 18, 2010
Baytown Bald Eagle
Wednesday, February 17, 2010
Tuesday, February 16, 2010
BNC Pelican in Flight

Monday, February 15, 2010
Presidential Busts

Wednesday, February 10, 2010
GENISIS OF A SURREAL PHOTO
In yesterdays post I shared my entry in Tuesday’s nights BAPC “Honors Night” assignment “Surreal Composite.” Several people has asked me about my thought process for developing this shot so today I thought I would summarize a portion of it.
My thinking on the assignment was that the place to start was with an interesting “base” photo. I didn't have any kind of a vision of the finished shot when I started, only this idea that if I could find any kind of a good starting point I would build from there through the required “Composite” portion of the assignment. My original inspiration photo [on Clinton Drive East of Lockwood in Houston] is below...
I certainly thought this scene, with an illogical haggard building perched high on top of a dilapidated old commercial structure in a run down section of town, with the surprise of a distinctly rural grazing horse in front was a surreal shot from the start. But the assignment was for a "Composite" and I could see lot’s of enhancement opportunities through the composite process.
Below is an intermittent version of the shot before I decided a ‘less would be more” approach to the shot was the way to go and cropped away the lower third. This included cropping out the horse which was one of the strongest elements that originally drew me to the subject, a phenomenon which I’ve encountered before.
At the end of the day I was happy with the decision to keep the more interesting [to me] top portion of the photo. I think the final shot [see yesterday's post] ended up conveying the dark sense of mystery that I had hoped for once the base image was selected. And now you know the rest of the story.
My thinking on the assignment was that the place to start was with an interesting “base” photo. I didn't have any kind of a vision of the finished shot when I started, only this idea that if I could find any kind of a good starting point I would build from there through the required “Composite” portion of the assignment. My original inspiration photo [on Clinton Drive East of Lockwood in Houston] is below...

Below is an intermittent version of the shot before I decided a ‘less would be more” approach to the shot was the way to go and cropped away the lower third. This included cropping out the horse which was one of the strongest elements that originally drew me to the subject, a phenomenon which I’ve encountered before.

Jilted Bride
Tuesday, February 9, 2010
Friday, February 5, 2010
Thursday, February 4, 2010
Hawk of a Different Color
Wednesday, February 3, 2010
Self Portrait

The main impact of this version of the photo was created with Photoshop's "Outer Glow" filter.